Film Fridge Status
I’m either going to have to shoot this faster or stop drinking Diet Coke.
I’m either going to have to shoot this faster or stop drinking Diet Coke.
35mm
Leica Leica MP | Leica Summilux-M 50mm ASPH | Portra 400 400 Scanned with Epson V750. Cinestill C-41 Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB – Standard | WB: Auto-Neutral | LUT: Frontier
35mm
Sometimes it’s fun to throw a roll through the little Olympus Stylus Epic. Mostly self-portraits around the house because I was bored.
Tri-X
Now that I have my dream MP, I should probably sell the M6. If I do, this will have been the last roll I shot with it.
Out with the new MP and a roll of HP5+. I think these are all shot with the 50mm Summilux ASPH
50mm
Here are a few from the very first roll through the new Leica MP. (Sorry, I lost them)
Tri-X
Tri-X in the Hasselblad 500C/M. This was the only shot on the roll that I liked.
If I knew how to take a good picture, I’d do it all the time Robert Doisneau
I enjoy both film and digital photography, but the pendulum has been swinging toward film recently, and I’ve been having a ball. I’ve finally dialed in a film processing, scanning, and editing workflow that works and that I don’t hate. What’s more, I’ve been studying
These are all taken with the Leica M3 on HP5+ and were processed in HC-110 Dilution B. I’m pretty sure I used the Elmarit-M 90mm f2.8 for the entire roll.
A photograph is a universe of dots. The grain, the halide, the little silver things clumped in the emulsion. Once you get inside a dot, you gain access to hidden information, you slide inside the smallest event. This is what technology does. It peels back the shadows and redeems the
Leica M6, HP5+. HC-110 (dilution B). Scanned on V750 with Silverfast. Processed with Negative Lab Pro