Long story, short, I sold my precious Leica M6 (Classic). I could no longer justify having two modern Leica M cameras, so I decided to keep the beautiful MP and pass the M6 on to someone else. I’m sure I’ll regret this. (It’s the second time the
There are always cameras loaded with film scattered around my house. I don’t go out much, so sometimes I’ll pick up a camera and take a random photo just for the feel of it and to use up some film. These photos are almost always one of three
I know that film photography and Emacs are completely unrelated, but I have been thinking about both of them quite a lot recently. Since moving back to shooting film in 2003, I have regular thoughts of switching to all-digital again. It’s just easier. I have rooms full of “stuff”
I took the MP on my walk and was determined to shoot an entire roll. It was overcast, dreary, and the path I walk is pretty boring, but I did my best and made it through the roll. This roll was shot at 800 and developed in HC-110 (Dilution B)
Analog
I like the way prints look with a small black border around the image, like this: I know some people file their negative holders but that means no cropping and there’s no way I’m precise enough with framing to not crop about 90% of my images at least
The first roll of 2023. Shot in the Leica MP with the 35mm Summilux. Also, the first roll scanned using the new Epson V850.
In the beginning, there were blogs, and they were the original social web. We built community. We found our people. We wrote personally. We wrote frequently. We self-policed, and we linked to each other so that newbies could discover new and good blogs. I want to go back there. Monique
I tried, I really did. The Wise Old Internet guided me into changing my film scanning process from a dedicated flatbed scanner to using a mirrorless digital camera setup. I did everything right. I bought good equipment and the right software. I hated it. To scan using my flatbed, I
I collect a lot of “stuff” on my computer. I’m one of those lazy people who just drop most of it onto my Desktop and assume I’ll figure out what to do with it later. The problem is, I rarely actually figure out what to do with most
AI continues to enthrall everyone. Here’s DHH on AI creativity vs humans: Why shouldn’t the same be true of AI generated novels, plays, or movies? What realm of creative production does not benefit from the out-of-the-norm inferences that computers have already proven they can make within the bounds
I attended our annual family reunion in Newaygo this weekend. It's always great to see everyone. I shot a roll of HP5 with the MP and 35mm Summilux.
I recently read Joe McNally's book, The Real Deal: Field Notes from the Life of a Working Photographer. While I found his anecdotes occasionally interesting, I didn't really enjoy the book. I think this was because I don't much care for McNally's